{"id":115,"date":"2014-06-14T12:10:45","date_gmt":"2014-06-14T18:10:45","guid":{"rendered":"https:\/\/txsound.com\/blog\/?p=115"},"modified":"2014-06-26T08:38:50","modified_gmt":"2014-06-26T14:38:50","slug":"like-sennheiser-g2g3-systems-everything-talent-wireless","status":"publish","type":"post","link":"https:\/\/txsound.com\/blog\/like-sennheiser-g2g3-systems-everything-talent-wireless\/","title":{"rendered":"Why I like Sennheiser G2\/G3 systems for everything but talent wireless"},"content":{"rendered":"<div id=\"attachment_116\" style=\"width: 635px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/senwires.jpg\"><img aria-describedby=\"caption-attachment-116\" loading=\"lazy\" class=\"wp-image-116 size-large\" src=\"https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/senwires-1024x815.jpg\" alt=\"sennheiser G3 wireless\" width=\"625\" height=\"497\" srcset=\"https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/senwires-1024x815.jpg 1024w, https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/senwires-300x238.jpg 300w, https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/senwires-624x496.jpg 624w, https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/senwires.jpg 1600w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><p id=\"caption-attachment-116\" class=\"wp-caption-text\">Sennheiser G3 wireless microphone system.<\/p><\/div>\n<p>Here&#8217;s just a few reasons why I love G2\/G3 for\u00a0<strong>IFB\/scratch track feeds<\/strong> over<strong> Lectro<\/strong> or <strong>Zaxcom<\/strong> <strong>IFB<\/strong> solutions:<br \/>\n&#8211; The mini plug input\/output is highly compatible without need for custom cables. You can feed a scratch track to \u00a0a Red Epic with a <strong>standard ipod cable<\/strong>. Transmitter Mic\/line input selectable thru tip or ring on the cable. You can hook up to anything with a good set of adaptors. Have you sent audio to a <strong>Black Magic<\/strong> camera yet? Non-standard, strangely wired 1\/4&#8243; jack inputs, but no problem with a Senn and an ipod cable with a headphone adaptor.<br \/>\n&#8211; you can feed \u00a0<strong>hops and Ifb<\/strong> with same transmitter. 1 less frequency to coordinate.<\/p>\n<p>-Less <strong>weight<\/strong> and <strong>RF mess<\/strong> in a sound bag. I&#8217;d rather carry around a 2 ounce, 30mw G3, than a 1\/2 pound, 250mw flamethrower like the <strong>Lectro T4.<\/strong><\/p>\n<p>&#8211; I purchased my first set for scratch track hops in 2005. I now have 6 transmitters, 4 plugs, 6 receivers and 15 IFB&#8217;s. All purchased on ebay, and on average, less than<strong> half of retail<\/strong>. (Many misguided soundies and one-off project users buy these, then dump &#8217;em. )<\/p>\n<p>I&#8217;ve yet to have one break. \u00a0I&#8217;ve replaced many antennas at 5 bucks each, if you can <strong>solder well<\/strong>, you&#8217;re good.<br \/>\n&#8211; huge battery life. 3 days with a pair of lithium AA&#8217;s<br \/>\n-audio\/rf metering on every unit<br \/>\n-Better range than lectro R1a or zax 2.4 gHz<strong> IFB<\/strong>\u00a0units, owing to \u00a0external whip antennas<br \/>\n-transmitter won&#8217;t RF swamp a sound bag<br \/>\n-some venues now restricting 2.4 gHz devices as they compete with wifi (Zaxcom IFB)<br \/>\n-super wide input\/output audio level settings. It&#8217;s easier to set the level on the Senn than dig around on the\u00a0<strong>cryptic\u00a0Red Epic&#8217;s audio screen<\/strong>. So why bother?<br \/>\n-instinctively intuitive to use. Big, understandable, backlit display<br \/>\n-great for feeding video assist, pa systems, or pulling feeds from PA or press feeds<br \/>\n&#8211;<strong>velcro<\/strong> them together for 2 channels, and they are still a very small receiver pkg.<br \/>\n-They&#8217;re Great <strong>crash wireless<\/strong> for talent- (about the only time I&#8217;ll put one on a talent).<br \/>\n-30 mw is low for transmitter power, but as an IFB, the pack is not against somebody&#8217;s body.<br \/>\nInstead, it is out in free space on your cart or bag. So no RF absorption from a\u00a0sweaty cast member&#8217;s body.<\/p>\n<p>I&#8217;ve have found that the Lectro IFBs are better if your crew needs to <strong>change receiver channels<\/strong> <strong>frequently<\/strong> to listen to different sound units. WIth Lectro R1a&#8217;s, They just push the volume button to cycle thru programmed channels, without needing to look at it. (Don&#8217;t know if the ERX can do this).<\/p>\n<p>-Senn&#8217;s butt-plug transmitters are also cheap and great for a quickn&#8217;dirty wireless handheld for PA or <strong>voice-of-god<\/strong> mic for AD&#8217;s<\/p>\n<p>On a recent commercial, with one Senny transmitter, I fed scratchtrack to \u00a0two Alexas, video assist, client-lounge PA speaker and 15 IFB&#8217;s. Excellent range, kinda nice.<br \/>\n-iem headphone amp VERY loud. Even the regular receivers can drive a headphone at +6<\/p>\n<p>-easy to coordinate freqs with internal pre-selects\/rf metering, or use the <a href=\"http:\/\/newendian.com\/index.php?title=FreqFinder\"><strong>freq finder app<\/strong><\/a>.<\/p>\n<p>IEMs and beltpack receivers will also receive acceptable audio sent from more powerful lectro IFB transmitters.<\/p>\n<p>-I could go on. I&#8217;ve got buckets of these things.<\/p>\n<p>But I never will use them as <strong>frontline<\/strong> talent wireless. They breakup a little at high audio frequencies (sibilant sounds) unless you stay well within the headroom, like half-level.<\/p>\n<p><a href=\"https:\/\/txsound.com\"><strong>-By Pete Verrando www.txsound.com<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s just a few reasons why I love G2\/G3 for\u00a0IFB\/scratch track feeds over Lectro or Zaxcom IFB solutions: &#8211; The mini plug input\/output is highly compatible without need for custom cables. You can feed a scratch track to \u00a0a Red Epic with a standard ipod cable. Transmitter Mic\/line input selectable thru tip or ring on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[43,44,5,30,42,35],"_links":{"self":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts\/115"}],"collection":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":13,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts\/115\/revisions"}],"predecessor-version":[{"id":327,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts\/115\/revisions\/327"}],"wp:attachment":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/media?parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/categories?post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/tags?post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}