{"id":178,"date":"2012-03-01T15:09:00","date_gmt":"2012-03-01T21:09:00","guid":{"rendered":"https:\/\/txsound.com\/blog\/?p=178"},"modified":"2014-06-19T19:13:30","modified_gmt":"2014-06-20T01:13:30","slug":"first-adopters-first-responders","status":"publish","type":"post","link":"https:\/\/txsound.com\/blog\/first-adopters-first-responders\/","title":{"rendered":"First adopters, first responders"},"content":{"rendered":"<p>The <a href=\"http:\/\/www.zaxcom.com\/nomad-2\">Zaxcom Nomad<\/a> one of the latest devices offered for production sound mixers. It offers multi track recording and mixing, in about the same footprint as a traditional 4 or 5 channel mixer. It is not a collection of afterthoughts, like the Sound Devices <a href=\"http:\/\/www.sounddevices.com\/products\/cl8.htm\">788T\/CL8.<\/a> Nevertheless, it is new, and does not have many hours racked up in the field. Its also a complex device, and new-gear bugaboos are inevitable. <\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" style=\"margin-left: auto; margin-right: auto; text-align: center;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/Nomad_Angled-300x225.jpg\" style=\"margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" border=\"0\" height=\"150\" src=\"https:\/\/txsound.com\/blog\/wp-content\/uploads\/2014\/06\/Nomad_Angled-300x225.jpg\" width=\"200\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">The Zaxcom Nomad<\/td>\n<td style=\"text-align: center;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Following a <a href=\"http:\/\/www.jwsoundgroup.net\/\">popular sound mixer discussion group<\/a>, a few reactions become evident.<br \/>1. Many newer sound guys who&#8217;ve had a mixer-only package are upgrading to this device.<br \/>2. There&#8217;s still a few tweaks and quirks in the device that are being discovered while on the job.<br \/>3. Those who have problems quickly detail their production horror story on the discussion group.<br \/>4. The good or uneventful experiences go un-documented.&nbsp; <\/p>\n<p>I&#8217;ve never been a &#8220;first adopter.&#8221; Why would anyone bring a 1st-generation device, right out of the box, to a paying client&#8217;s job? The producer is not paying me to experiment with new gear.&nbsp;My gigs are not beta-test sites for new equipment. &nbsp; Granted, equipment issues happen on the job, even with time-proven gear. That&#8217;s why its important to have an intimate knowlege of how your gear works, and even some ability to fix it. Which I do. Also back-up gear is important to bring along if ever things get really nasty.<\/p>\n<p>Back when DAT became the standard recording device, many mixers continued to roll their <a href=\"http:\/\/www.nagraaudio.com\/pro\/pages\/products_nagra_IVSTC.php\">analog Nagras<\/a> as a backup. Two recorders on the cart. It was cumbersome, but the peace of mind of having a backup was sublime. Those DAT machines were quirky animals, so much as an errant speck of dust could shut them down. When they were finally obsolete, we sound mixers built a huge bonfire and threw all our DAT machines on it. Not really. But I still have my DAT machine, so if you ever want to have a bonfire, I will be the first to throw mine on. <\/p>\n<p>There will never be a Nagra bonfire, because they are just too beautiful a machine to trash.&nbsp; As a hobby,&nbsp; I restore and sell Nagras to audiophiles.&nbsp; Nagras are the ultimate refinement of the analog recording medium. <\/p>\n<p>So, if your soundman comes to the job boasting of a new piece of gear, raise an eyebrow. Make sure your production won&#8217;t be featured as the next dirty-laundry story on a <a href=\"http:\/\/www.jwsoundgroup.net\/\">popular sound mixer discussion group.<\/a><\/p>\n<p>Please visit my website&nbsp;<a href=\"https:\/\/txsound.com\/\">www.txsound.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Zaxcom Nomad one of the latest devices offered for production sound mixers. It offers multi track recording and mixing, in about the same footprint as a traditional 4 or 5 channel mixer. It is not a collection of afterthoughts, like the Sound Devices 788T\/CL8. Nevertheless, it is new, and does not have many hours [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts\/178"}],"collection":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":0,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/posts\/178\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/media\/182"}],"wp:attachment":[{"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/media?parent=178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/categories?post=178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/txsound.com\/blog\/wp-json\/wp\/v2\/tags?post=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}